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Ivory work reached its height of popularity in the Edo era.
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Still some fifty carvers are working.
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He said "No" to me, 'cause I was short and a lefty.
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But we have to keep plenty of them in stock, though they may not sell.
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Younger people can't stand it 'cause this work requires perseverance.
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There're only a few people able to carve patterns.
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I say nothing and just keep standing.
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Modern dolls don't sell, even though I make them.
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I think they'll lose the luster if you do it yourself.
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The way it cracks obviously tells me that it's a counterfeit.
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We carved products with these materials and received wages in return for finished products.
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We called them craftsmen in the old days, and now "sakka"(creators).
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I'm not sure about the next generation, what will happen to him.
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We should design patterns according to the material we get.
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I say, my sight has become poor.
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If I make traditional handicrafts using machines too muchc, (laughing) someone might get furious.
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Japanese interview
* Export of ivory is prohibited by The Washington Treary.
No.ISA2
____
Shichi-fuku-jin
(dai-tsuki)
Price:
¥ 620,000
Note:
seven gods of luck(with platform)
Size:
300(W)x40(D)x50(H) mm
Delivery:
1month
No.ISA4
____
Mai-musume(dai-tsuki)
Price:
¥ 5,000,000
Note:
a dancing girl(with platform)
Size:
155(W)x110(D)x330(H) mm
Delivery:
available only this one
No.ISA7
____
Netsuke Sakana-ya
Price:
¥ 125,000
Note:
(netsuke/decorative stopper) a fish vender
Size:
60(W)x50(D)x50(H) mm
Delivery:
1month
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