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Hiramoto Studio: Making and repairing of precious metals products and the education of craftsmen.
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(When did you start working?) When I was 15 years old.
I first thought I wanted to be a craftsman, and there are a lot of different
jobs for craftsman, and I wanted to have a coolest job as a craftsman.
So I decided to become a jewelry maker from an invitation from some people,
and also because this job is cool that I get an attention from banker
and girls. And I became one… I really wanted to become a tinsmith. If
I'm a tinsmith, I can work on top of the roof, and watch people pass by.
I'm living in the building now, so I can still watch people passing by
anyway, but that was the kind of a job I wanted to have. (did your father
have a similar job?) Not at all.
(how long does it take to learn the basics?) About six
months. At least. And it will take about two years to build the basic
skills to become a professional. It used to take five years, ten years.
It's because the master didn't teach. We had to watch him, and learn from
him by just watching what he's doing. So I teach now, and I'm teaching
what it used to take about three years in three months. Masters used to
not teach because if they teach too much, students would learn quicker,
and go away quicker. (what is the ratio between making the craft and the
class?) It's about five to five. (are there any students who become a
professional?) Yes, there are. Some people who are good at it become a
professional in about an year. So we hire anyone who want to be a craftsman
from the class here. But you can't make much money right from the beginning.
It's just for a little allowances when you start. And you'd learn as you
work. Then some dealer would call, and would want our students to work
for them. So the students would become a professional.
We learn the techniques more from the customers than
from the master. So to improve the technique, we've got to talk to the
customers, make the craft one by one, and listen to their complaints.
This is the fastest way to learn as a craftsman. We teach that way once
you become a craftsman. My hope is for my students to become craftsmen
as fast as possible to learn by talking to the customers. Then our technique
can go out to the world, and we all can teach many people all over the
world. We used to learn all the crafts and techniques from other culture
in the past, so we can spread back what we have acquired to the world.
It's a long process to make our craft, so the jewelry
industry tend to divide the process among craftsmen. If one can polish,
he/she can live with only polishing, and if one buys some material metal,
and sell them to me, he/she can live with that, too. But you need to knowa
lot to do your business in such a way. You can't just know about your
job, the part you're making, without understanding the other parts of
the process. If there's ten processes to the craft, there could be ten
craftsmen. I don't think there are many craftsmen who can do all the process
in Taito-ku like I can. (do you have colleagues in Tokyo?) There are a
lot of colleagues.
It's
hard for a foreign-born craftsman to success regardless of his skills:More than 40% of the craftsmen in Japan are foreign-born
today. The people coming to Japan are really good at making the craft.
They sell theirs quite cheap, so the foreign-born craftsmen win over the
Japanese craftsmen today. But trust is very important in the jewelry industry.
You can't leave every process to a foreign-people? There are many customers
who want their jewelry to be made by Japanese craftsmen who has succeeded
the techniques from generations and generations before him/her. And the
old stores like the ones in Ginza, Tokyo, don't favor having foreign-born
craftsmen to work for them. I've been asked very often if "I use foreigners"
to work in my studio, but I'd say "not really," and we don't have any
foreign-born craftsmen working in this studio right now.
We get lots of repairing orders from Italy, France, and
Hon Kong the most. (There's no craftsmen in other countries?) Well, there
are. There are craftsmen in other countries, and to tell you the truth,
40% of Japanese crafts sold in Japan are made in other countries. There
aren't many people overseas who can repair them. You need to know the
basics to repair. So many repairs come over here. The jewel can be made
perfectly, but if the customers don't like the design, couple thousand
dollars would be worth nothing to them.
Making
a wedding band:
melting
the material metal:I melt the material metal right here. This is the gas range. (what temperature will silver melt?) Silver melts around 1000℃ to 1200℃.Then I put in the melted silver into the mold.
I would mold the melted silver here. This mold is the
tool to shape the silver. There will be a silver stick after molding like
this. Once the silver is molded, it's not hot anymore. This is the interesting
part. Then I strike this stick, shape it, round it, and polish it.
filing
the silver:I would file the silver stick into this square stick. And then I smoothen
the extra bumps.
I strike the silver into square. The more I strike, the more the particles
of the silver become smaller and the shinier the silver gets after polishing.
This is the good part about the hand-made rings. It's just like swords.
I strike them a lot.
I namasu again like I did before. I put the silver into
the water right after burning it.The silver is still soft after putting
into the water.
This stick is called the "size stick." This is an iron
size stick. I round the ring with this stick.
This is the rounded silver. cutting the silver with fret
saw:
Then I stick the contacting point with wax perfectly.
I cut right over here with a fret saw, and stick them.
I put this adhesive called "gin-ro"(silver wax) on here,
and melt it. We use "kin-ro"(gold wax) for gold, and "platinum-ro"(platinum
wax) for platinum. How to make these are secret, and the master would
say "you make the platinum wax like this…" and teach the student when
the student become independent to have his own store. This is called "flax,"
and you know the silver turns black very easily. This flax is to avoid
oxidizing the silver, and to put the wax on faster. This is just like
a soldered paste. We normally would have to do this process by hand. I
don't do this a lot now, so I'd just do this by another easier way. This
easy way is around for a long time. The craftsmen's world is interesting
in another way that the easy way to do some process is passed along for
a long time. And the great techniques won't be passed along. The great
techniques usually stops at the master who has that technique. He wouldn't
teach it to anyone. The technique to do something faster and easier spread
throughout the country very quickly. This is one of the mysterious things
about craftsmen's world.
I would smoothen this here. I use a file, and smoothen
the inside. This is difficult, too. To move my hand to the opposite direction
as the file is the difficult part. fitting into the size of the ring:
I put the size stick into the ring again. If the ring is size 15, we use
the size 15 size stick. There's a perfect circle over here. Then I file
the ring again. This filing technique is very difficult that it takes
about a month to acquire. Actually, if it is a long process to make a
craft, you can make a craft in higher quality. The process used today
is not long, so the craft's quality is not so great.??? Then I polish the ring with the machine. This is the
buffmotor. This polishes the whole ring. I polish the inside with this
machine, then I polish the side. Then I use the other machine to polish
again. This is the end. I would wash the ring with water to finish.
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