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Hiramoto Studio: Making and repairing of precious metals products and the education of craftsmen.

-I wanted to become the coolest craftsman:
-Professionals can come out from a class room:
-I want to spread the technique all over the world:
-There aren't many people who can do all the process:
-It's hard for a foreign-born craftsman to success regardless of his skills:
-Repairing orders coming from overseas:
-Making a wedding band:
-melting the material metal:
-mold the melted silver:
-filing the silver:
-striking the silver:
-namasu (to burn and to put into the water after it):
-our working desk:
-putting the silver on to the iron mold:
-striking the silver and add some roundness:
-namasu again:
-rounded silver:
-fastening the silver with the silver wax:
-filing again:
-polishing with machine:
-finish:

Japanese interview
 
No.HRM1____ Scarf Ring
Price: ¥2,500
Note: scarf ring
Material: silver

No.HRM2___Pearl Ring
Price: ¥18,000
Note: pearl ring, hand-carving
Material: 18k-gold

I wanted to become the coolest craftsman:
(When did you start working?) When I was 15 years old. I first thought I wanted to be a craftsman, and there are a lot of different jobs for craftsman, and I wanted to have a coolest job as a craftsman. So I decided to become a jewelry maker from an invitation from some people, and also because this job is cool that I get an attention from banker and girls. And I became one… I really wanted to become a tinsmith. If I'm a tinsmith, I can work on top of the roof, and watch people pass by. I'm living in the building now, so I can still watch people passing by anyway, but that was the kind of a job I wanted to have. (did your father have a similar job?) Not at all.

Professionals can come out from a class room:
(how long does it take to learn the basics?) About six months. At least. And it will take about two years to build the basic skills to become a professional. It used to take five years, ten years. It's because the master didn't teach. We had to watch him, and learn from him by just watching what he's doing. So I teach now, and I'm teaching what it used to take about three years in three months. Masters used to not teach because if they teach too much, students would learn quicker, and go away quicker. (what is the ratio between making the craft and the class?) It's about five to five. (are there any students who become a professional?) Yes, there are. Some people who are good at it become a professional in about an year. So we hire anyone who want to be a craftsman from the class here. But you can't make much money right from the beginning. It's just for a little allowances when you start. And you'd learn as you work. Then some dealer would call, and would want our students to work for them. So the students would become a professional.

I want to spread the technique all over the world:
We learn the techniques more from the customers than from the master. So to improve the technique, we've got to talk to the customers, make the craft one by one, and listen to their complaints. This is the fastest way to learn as a craftsman. We teach that way once you become a craftsman. My hope is for my students to become craftsmen as fast as possible to learn by talking to the customers. Then our technique can go out to the world, and we all can teach many people all over the world. We used to learn all the crafts and techniques from other culture in the past, so we can spread back what we have acquired to the world.

There aren't many people who can do all the process:
It's a long process to make our craft, so the jewelry industry tend to divide the process among craftsmen. If one can polish, he/she can live with only polishing, and if one buys some material metal, and sell them to me, he/she can live with that, too. But you need to knowa lot to do your business in such a way. You can't just know about your job, the part you're making, without understanding the other parts of the process. If there's ten processes to the craft, there could be ten craftsmen. I don't think there are many craftsmen who can do all the process in Taito-ku like I can. (do you have colleagues in Tokyo?) There are a lot of colleagues.

It's hard for a foreign-born craftsman to success regardless of his skills:
More than 40% of the craftsmen in Japan are foreign-born today. The people coming to Japan are really good at making the craft. They sell theirs quite cheap, so the foreign-born craftsmen win over the Japanese craftsmen today. But trust is very important in the jewelry industry. You can't leave every process to a foreign-people? There are many customers who want their jewelry to be made by Japanese craftsmen who has succeeded the techniques from generations and generations before him/her. And the old stores like the ones in Ginza, Tokyo, don't favor having foreign-born craftsmen to work for them. I've been asked very often if "I use foreigners" to work in my studio, but I'd say "not really," and we don't have any foreign-born craftsmen working in this studio right now.

Repairing orders coming from overseas:
We get lots of repairing orders from Italy, France, and Hon Kong the most. (There's no craftsmen in other countries?) Well, there are. There are craftsmen in other countries, and to tell you the truth, 40% of Japanese crafts sold in Japan are made in other countries. There aren't many people overseas who can repair them. You need to know the basics to repair. So many repairs come over here. The jewel can be made perfectly, but if the customers don't like the design, couple thousand dollars would be worth nothing to them.

Making a wedding band:
This is the basic part of making a ring. Any craftsmen, regardless of his/her skills, have to learn and use this technique to make any ring. Silver ring is popular today, so I'll show you how to make these now.






melting the material metal:

I melt the material metal right here. This is the gas range. (what temperature will silver melt?) Silver melts around 1000℃ to 1200℃.Then I put in the melted silver into the mold.




mold the melted silver:
I would mold the melted silver here. This mold is the tool to shape the silver. There will be a silver stick after molding like this. Once the silver is molded, it's not hot anymore. This is the interesting part. Then I strike this stick, shape it, round it, and polish it.




filing the silver:

I would file the silver stick into this square stick. And then I smoothen the extra bumps.





striking the silver:
I strike the silver into square. The more I strike, the more the particles of the silver become smaller and the shinier the silver gets after polishing. This is the good part about the hand-made rings. It's just like swords. I strike them a lot.




namasu (to burn and to put into the water after it):
After striking the silver, I "namasu" the silver just like making the sword.




our working desk:
The working desk we use are different depending upon the craftsman. We use this one here.

putting the silver on to the iron mold:
I would put the silver into these iron mold, and strike the silver.





striking the silver and add some roundness:
This is the shape of the ring, and the silver will get rounder by striking. Then I would round the silver, polish it, and shine it.
namasu again:
I namasu again like I did before. I put the silver into the water right after burning it.The silver is still soft after putting into the water.
round the silver with the "size stick":
This stick is called the "size stick." This is an iron size stick. I round the ring with this stick.
rounded silver:
This is the rounded silver. cutting the silver with fret saw:
Then I stick the contacting point with wax perfectly. I cut right over here with a fret saw, and stick them.

fastening the silver with the silver wax:
I put this adhesive called "gin-ro"(silver wax) on here, and melt it. We use "kin-ro"(gold wax) for gold, and "platinum-ro"(platinum wax) for platinum. How to make these are secret, and the master would say "you make the platinum wax like this…" and teach the student when the student become independent to have his own store. This is called "flax," and you know the silver turns black very easily. This flax is to avoid oxidizing the silver, and to put the wax on faster. This is just like a soldered paste. We normally would have to do this process by hand. I don't do this a lot now, so I'd just do this by another easier way. This easy way is around for a long time. The craftsmen's world is interesting in another way that the easy way to do some process is passed along for a long time. And the great techniques won't be passed along. The great techniques usually stops at the master who has that technique. He wouldn't teach it to anyone. The technique to do something faster and easier spread throughout the country very quickly. This is one of the mysterious things about craftsmen's world.

filing again:
I would smoothen this here. I use a file, and smoothen the inside. This is difficult, too. To move my hand to the opposite direction as the file is the difficult part. fitting into the size of the ring: I put the size stick into the ring again. If the ring is size 15, we use the size 15 size stick. There's a perfect circle over here. Then I file the ring again. This filing technique is very difficult that it takes about a month to acquire. Actually, if it is a long process to make a craft, you can make a craft in higher quality. The process used today is not long, so the craft's quality is not so great.???



polishing with machine:
Then I polish the ring with the machine. This is the buffmotor. This polishes the whole ring. I polish the inside with this machine, then I polish the side. Then I use the other machine to polish again. This is the end. I would wash the ring with water to finish.

 

 

finish:This is the finish of the wedding band.
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